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Ampex ATR-100
The Ampex ATR-100 is a multitrack tape recorder, designed by Ampex Corporation, of Redwood City, California, USA. It was introduced at the Spring 1976 AES Conference in Los Angeles,〔Alastair Heaslett〕 and was geared towards the ultra high end studio market. The original versions were designed specifically as a stereo or quadraphonic (2 or 4 track) mixdown and mastering deck. It has gained a reputation in the recording industry as the most accurate analogue tape recorder ever to be produced.
The ATR-100 was designed by a three-person design team consisting of Robert P. Harshberger Jr. (motors and control system), Alastair M. Heaslett (signal electronics) and Roger Sleger (mechanical systems). 〔Zide, Larry. "The Making of the Ampex ATR-100" db - The Sound Engineering Magazine, December, 1976. pages 32-35. http://www.americanradiohistory.com/Archive-DB-Magazine/70s/DB-1976-12.pdf〕〔Zide, Larry. "The Making of the Ampex ATR-100, Part 2" db - The Sound Engineering Magazine, February, 1977. pages 36-38 http://www.americanradiohistory.com/Archive-DB-Magazine/70s/DB-1977-02.pdf〕
==Features and design==
Key features of the design are the machine's interchangeable headblock system, which allows the ATR-100 to be converted to run either quarter-inch or half-inch magnetic tape. Ampex was the first company to implement a servo-controlled, direct-drive-capstan tape transport, which allows the tape speed and tension to be continuously monitored by a servo relay. The transport consequently has excellent wow and flutter specifications. The ATR-100 also features dual VU meters, or four VU meters in the case of the four track models, and a digital tape timer. An optional remote control is also available.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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